#it's me I'm white people
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levil0vesyou · 1 year ago
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(idea for the second to last one is stolen. the rest is mine)
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eastgaysian · 1 year ago
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dualcasterjay · 8 months ago
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white people will see a cute coaster set and be like "oh :D i could use more coasters"
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tbc2 · 1 year ago
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white people are dirty little sluts for some bread
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tuttle-did-it · 4 months ago
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You know, it's genuinely sad to me that aging favourite character actors no longer have any fun murder-mystery tv shows to guest-star as murders on.
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tapakah0 · 2 months ago
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layaart · 1 month ago
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the usual demographic of the book community is being ignorant again so here's a reminder
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babacontainsmultitudes · 6 months ago
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RIP Will Campos the only person who was murdered this episode.
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hussyknee · 1 year ago
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I know some dickheads have now decided that Judaism is the "bad, violent, terrorist religion" and Islam is the "good, peaceful" one, which is only to be expected of white people, but how much of an issue is it currently? Like I've seen some USAmericans sharing how the Islamic faith shapes Gazans values and perseverance (good) except with that distinct white hippie "I'm about to imprint on this like the world's most racist duck" vibe (bad), but I didn't think they're already turning on Judaism in numbers.
Do they realize that Christianity is also the same kind of comfort to Christian minorities in Asia and Africa? That it was Buddhists that genocided the Rohingyas in Myanmar and Tamils in Sri Lanka? That Hindu fundamentalists are even now trying to ethnically cleanse Muslims in India? How Hindus and Christians are terrorized and persecuted in Pakistan? That Muslims have a history of persecuting and ethnically cleansing Jews too?
Really tired of asking y'all to be normal about people's religions man. There's no religion that's inherently violent or exceptionally peaceful. It's just like any other ideology that becomes a weapon in the hands of ethnic power. Interrogate power, not religion, and respect people's belief systems insofar as they aren't in your business.
Edit: I've amended the "long history" of Muslim persecution of Jews because it might be misleading in the current political climate. Zionism and antisemitic Arab nationalism are twin births resulting directly from Christian colonization, and Islamic empires tended to actually be more tolerant of other religions compared to Christianity, especially Judaism, which was considered a sibling religion. Antisemitism wasn't ideologically entrenched in Islamic tradition. It's simply that ethno-religious power will lead to ethno religious domination and intermittent cleansing of minorities, and Islam is no exception. Humans be humaning always.
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bixels · 4 months ago
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I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.
#personal#delete later#no patrick. “black washing” is not as harmful as white washing.#come on guys get it together#seeing people in my reblogs talk about “reverse racism” and double standards is genuinely hypocrisy#say it with me: white washing is intrinsically tied to a historical and systematic erasure of poc figures literature and history.#it is an inherently destructive act that deplatforms underrepresented faces and voices#in favor of a light-skinned aesthetic hegemony#redesigning characters as poc is an act of dismantling symbols of whiteness in fiction in favor of diversification and reclamation#(note that i am talking about individual acts by individual artists as was the topic of this discourse. not on an industry-scale)#redesigning characters as poc is not tied to hundreds of years of systemic racism and abuse and power dynamics. that is a fact.#you are not replacing an underrepresented person with an oft-represented person. it is the opposite#if you feel threatened or upset or uncomfortable about this then sorry but you are not aware of how much more worse it is for poc#if representation is unequal then these acts cannot be equivalent. you can't point to an imbalanced scale and say they weigh the same#if you recognize that bipoc people are minorities then you should recognize that these two things are not the same#while i agree that “black washing” can lead to color-blind casting and writing the behavior here is on an individual level#a black artist drawing their favorite anime character as black because they feel a shared solidarity is not a threat to you#i mean. most anime characters are east asian and i as an east asian person certainly don't feel threatened or erased. neither should you.#there's much to be said about the politics of blackwashing (i don't even know if that's the right word for it)#but point standing. whitewashing is an inherently more destructive act. both through its history of maintaining power dynamics#and the simple fact that it's taking away from groups of people who have less to begin with#if you feel upset or uncomfortable about a fictional white character being redesigned as poc by an artist on twitter#i sincerely hope you're able to explore these feelings and find avenues to empathizing with poc who have had their figures#(both real and fictional) erased; buried; and replaced by white figures for hundreds of years#i sincerely hope you can understand the difference in motivations and connotations behind whitewashing and blackwashing#classic bixels “i'm not talking about this chat. i'm not” (puts my media studies major to use in the tags and talks the fuck outta it)
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erinwantstowrite · 3 months ago
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trying to get used to drawing Clark because he's gonna be in LoF soon (for a couple chapters) and I think it's going well :3
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geneticdriftwood · 8 months ago
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persephone's in hell; a rooftop conversation
for @mysterycitrus
persephone's in hell, @mysterycitrus // white winter hymnal, fleet foxes // assorted dc comics
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lizzybeeee · 22 days ago
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DATV explaining the 'Regret Prison'
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A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT
TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.
From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.
When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.
Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?
NOPE.
We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?
So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).
WHICH IS STUPID!
Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.
We can come across some of Solas's regrets in the prison if you run around a bit and explore:
Remnant of Failure - talking about the orb from Inquisition.
Remnant of Parting - talking about Mythal
Remnant of Reflection - more vague, talking about the Titans I believe.
So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?
We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.
Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?
And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!
I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.
The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!
Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.
I WANT TO UNDERSTAND THIS BIOWARE!
WHAT IS THIS KINGDOM HEARTS NONSENSE???!!
#we'll need Mickey and Donald to break us out of this one#this screams 'this sounds so cool lets put it in' and not 'how can we do something cool that works with the world we've established'#“it's metaphorical-” it can be metaphorical and make sense!!!#trying to invoke 'emotion' with that black and white tone and only succeeded in getting me to feel pure confusion and rage#THE FADE IS GREEN TINTED - THE LAST GAME WAS LITERALLY COLOUR THEMED AFTER IT#i'm passionate about the fade being green the same way i'm passionate about Aurora's dress being blue and Cinderella's being silver#solas's more secure second prison literally has a worse track record than the black city - why is he so dumb???#I regretted no choices in datv besides the decision to actually play this game lmao#if the game actually acknowledged that Rook's actions led to thousands of people dying maybe I'd feel something in the regret prison#no mention of treviso/ minrathous/ or southern thedas??#the team all knew the risks of what they were doing! they volunteered/made their own choices - ME2 did this so much better#played as an elf so I didn't even feel bad when Harding died because of the weird elf specific dialogue she had#I'm not sorry for the titans/what Solas did - I wasn't even there! Doesn't justify the shit that happened to the elves after either!#this game made me apathetic to LACE HARDING and i loved her in Inquisition#i'm sorry but I had more regret for choosing to speak mean to Merrill once than anything I did in this game#currently writing about the magisters sidereal in my lore post and I needed to blurt this out because its so stupid#typed out the word 'regret' so much is has no meaning in my head anymore lmao#datv critical#datv spoilers#bioware critical#dragon age the veilguard#veilguard critical
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pjharvey · 2 months ago
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the fact that trump is somehow still up for re-election and everyone is acting like he is a normal candidate and he's out here spouting like 1800s levels of racism and has a dozen rape allegations is crazy. stupid ass country.
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poorly-drawn-mdzs · 9 months ago
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Chu Wanning, kit-tea man. (Part 2)
(for @onionlings)
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gorillawithautism · 5 days ago
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the mr beast pyramids thing is fucked up for several reasons but here are some of the ones that i personally have been thinking about
1. historical significance and capitalism (aka "why does this white man get special privileges? why is he allowed to rent out a world wonder and why do we live in a world where that's possible") - it's not that renting out the pyramids is unheard of because it's definitely happened before. @jehadism even mentioned that the location was rented out for a rave recently. but why do we live in a world where it's possible to reserve access to historical monuments for the rich white foreigners? and how is it that one (1) man has enough money to do this?
2. contemporary cultural significance and the egyptian government (aka "my egyptian mutuals hate this and i've been friends with them long enough to at least have an introductory understanding as to why") - how much access does the average egyptian have to their own history? what with white foreigners looting graves and the egyptian dictatorship destroying monuments, how much easier is it for a white american like myself to go to a museum in person and see the results of white colonialism in "ancient egypt" exhibits as if egyptians aren't a real, still-living community of people? and how much harder is it for an egyptian under dictatorship to visit historical monuments in their own city? what hoops does the average egyptian need to go through just to view artifacts that should be preserved by egyptians, for egyptians, in egypt? why is it that mr beast doesn't have to go through these hoops and can make a public youtube video about it and yet egyptians get disappeared by their own government if they try to speak up against that very government desecrating historical sites?
3. information dissemination and the indoctrination of white supremacist youth (aka "what does this mean for future attitudes towards egyptians and egyptian culture") - mr beast's fanbase is predominantly children which is something mr beast himself has full knowledge of and has stated as such. especially with the more recent allegations against him and his various business pursuits, any adults who happen to watch him already don't care about the moral truth of his actions. the children that watch his channel are the target audience here. he has an ethical responsibility to carefully consider what he shows to the public. he has a moral obligation to show these children how to be a good person and to educate them. or at the very least he has a duty to not model 'how to be human scum' for the kids on the other side of the screen. and yet, here he is, promoting an orientalist view of egypt. planting little seeds in their minds that (white) egyptology is cool and mysterious and fantastical. not to mention he has no historical or archaeological certification. he's showing these kids that it's okay for the most average of white americans (albeit very very rich but other than that still extremely average) to waltz into an egyptian burial ground and play make believe about solving mysteries and getting trapped in mazes and chased by the living dead despite having zero certification. even when the white people invading egyptian historical sites are literally trained historians and archeologists, they still exemplify white supremacist, orientalist notions about egypt. the problem isn't that mr beast's opinions about egypt will inevitably suck (well. it's a problem but given that he's a rich white man and literally mr beast, i'm treating that as a given and it's not what i'm gonna focus my thoughts on) no the problem here is that he's teaching children that it's okay to have said opinions. he's teaching white children to mistreat the nonwhite children around them and to grow up and continue to oppress egyptians in the exact way they saw their childhood idol do. he's teaching any egyptian children who watch him that white people will always devalue their history and their culture
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